The Whole Wide World, based on the 1986 memoir One Who Walked Alone by Novalyne Price Ellis, is a small gem. Set in the early ‘30s, the picture tells the story of the turbulent relationship between pulp writer Robert E. Howard (Vincent D’Onofrio), who created Conan the Barbarian, and Novalyne Price (Renee Zellweger), a young Texas schoolteacher who had aspirations to be a writer. Director Dan Ireland provides a probing and touching appraisal of the gulf between the genders and how these two innocents attempt to bridge it. Where Price craves experience and is deeply drawn to Howard’s fervid imagination; Howard, who can only live in the world of his imagination, is initially drawn to Novalyne’s passionate desire to take in the whole wide world.
The movie has what many could call a conventional narrative, but the material (about an unconsummated passionate affair) isn’t conventional at all. The Whole Wide World is about how a man desperately tries to outgrow his attachment to his mother so that he can learn to love a woman. Ireland, and the cast, takes the kind of emotional risks that continually pay off. Although forgotten and abandoned in the years following its release, The Whole Wide World is one of the most genuinely affecting pictures of its time.
--Kevin Courrier is a writer/broadcaster, film critic, teacher and author. His forthcoming book is Reflections in the Hall of Mirrors: American Movies and the Politics of Idealism.
No comments:
Post a Comment