Taking place immediately following World
War II, Michel Deville’s Almost Peaceful is a loving, moving portrait of
Jewish survivours of the Holocaust attempting to pick up the shattered pieces
of their lives in Paris. Unlike better known Holocaust films (Schindler's
List‚ The Pianist), which concentrate on survivors' actual,
horrific experiences during the war, Almost Peaceful, based on a book by
Robert Bober, is a low-key drama that never engages in graphic imagery.
Set in a tailor shop which has just been
reclaimed by its owners, the film follows the business' proprietors, Albert
(Simon Abkarian) and Lea (Zabou Brietman), and their employees as they rebuild
their existences. One pines for family members who will never return; another
finds solace in the arms of prostitutes. Others engage in their own affairs of
the heart. Beautifully shot and rendered, the evocative Almost Peaceful
is firmly placed in the humane tradition of French directors like François
Truffaut (The 400 Blows) and Louis Malle (Au revoir les enfants),
but with a heart and spirit all its own.
– Shlomo Schwartzberg is a film critic,
teacher and arts journalist based in Toronto. He teaches film courses at
Ryerson University's LIFE Institute.
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