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| Leslie Odom Jr.as Sam Cooke in One Night in Miami (2020). |
Kemp Powers adapted the screenplay of One Night in Miami from his stage play, and though he and the director, Regina King, have tried to open it up – especially in the first half hour – it still feels like a play, essentially locked into its motel-room setting even when the camera ventures away from it. I don’t think that’s necessarily a problem: the enforced insularity of the Sidney Lumet movie of Long Day’s Journey into Night enhances the intimacy, and the fact that we don’t leave the house where Cocteau’s Les Parents Terribles takes place helps to escalate the dramatic power of the text (and of the performances). The problem is that One Night in Miami is a bad play.
