Thursday, March 13, 2025

Neglected Gem: Backbeat (1994)

From left: Scot Williams as Pete Best, Gary Bakewell as Paul McCartney, Ian Hart as John Lennon, and Chris O'Neill as George Harrison. (Photo: Channel Four Films.)

Backbeat
covers a great period, 1960-62, when The Beatles, still teenagers and still unknown at home in England, played in cruddy Hamburg clubs (where the sailors used to ogle them) before the young avant-garde art crowd took them up. It’s about the friendship between John Lennon (Ian Hart) and Stu Sutcliffe (Stephen Dorff), an abstract expressionist painter he met at art school in Liverpool who dropped out to put together a band with John and travel to Germany; and about the uneasy, ambiguous triangle created when Sutcliffe fell in love with the German photographer Astrid Kirchherr (Sheryl Lee). The story is a fascinating one. But the film, directed by Iain Softley from a script he wrote with Michael Thomas and Stephen Ward, never caught on and has long been forgotten, though I love to teach it (my students always greet it enthusiastically) and, more than thirty years on, I think it deserves some attention.

Tuesday, March 11, 2025

Incandescent Visions: George Stamos’ "Sister Nightlight" Debuts in Toronto

George Stamos. (Photo: Susan Moss.)

George Stamos’ Sister Nightlight, which opened Thursday at Toronto’s Citadel and closed March 8, was a daring fusion of performance art, dance improvisation, and narrative storytelling. The piece began in darkness with Stamos—a Montreal-based artist and performer renowned for his inventive explorations of memory and identity—speaking into a microphone. His voice was unpretentious and intimate, drawing the audience into a fireside-style monologue that recounted a joyful childhood beachside campout with family and friends. Among the vivid details was a stumble into the bushes for a long, relaxing piss at night—a moment both mundane and evocative.