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| George Stamos. (Photo: Susan Moss.) |
George Stamos’ Sister Nightlight, which opened Thursday at Toronto’s Citadel and closed March 8, was a daring fusion of performance art, dance improvisation, and narrative storytelling. The piece began in darkness with Stamos—a Montreal-based artist and performer renowned for his inventive explorations of memory and identity—speaking into a microphone. His voice was unpretentious and intimate, drawing the audience into a fireside-style monologue that recounted a joyful childhood beachside campout with family and friends. Among the vivid details was a stumble into the bushes for a long, relaxing piss at night—a moment both mundane and evocative.